![midipipe subtlesoft midipipe subtlesoft](https://i.stack.imgur.com/KMxMU.png)
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Of course, if you guys have a smarter solution, I would appreciate! Thanks for your help. That’s not a perfect behavior, because a note off on keyboard also mutes the sustain effect from pedal, but I could live with that. Is there any way to duplicate any Note Off F#5 message in order to split it in 2 messages: So, I want to find a way to translate a normal note off generated by piano keyboard, from a noisy note off generated by pedal (both transmit on channel 1, unfortunately).
![midipipe subtlesoft midipipe subtlesoft](https://h2.cocolog-nifty.com/photos/uncategorized/20201219a_rolandzenbeatswithmy1stsong.jpg)
While is quite improbable (if not impossible) to play a loud F#5 with fingers (Note On can be easily filtered with a IF cycle too), the NoteOff F#5 can be produced by both pedal and key release. If the pedal is released with a NoteOff F#5 is the most tricky to solve for me, because I don’t want to interfere with the piano keyboard (which also have a F#5 key).
![midipipe subtlesoft midipipe subtlesoft](http://www.subtlesoft.square7.net/MidiPipe_files/shapeimage_1.png)
If the pedal triggers a loud F#5 on pressed, I want to convert that note on (144, 66, 127) in a Sustain message (176, 64, 127) If the pedal behaves normally, I simply convert the Sostenuto into Sustain messages (converting the second item of message from 66 to 64, both on and off messages). Then, through my script I’m trying to filter the following:
![midipipe subtlesoft midipipe subtlesoft](http://4.bp.blogspot.com/_5s0kNc3eu14/TQqax2bw7lI/AAAAAAAAGvg/Oby6qOjShZc/w1200-h630-p-k-nu/Picture+10.png)
Third kind: it generates both a note on - off instead of control change on - off Second kind: it generates a note on instead of control change on. The problem are the “random behavior” that sometime happen, and these are the “noisy” message that I’m trying to filter.įirst kind: it generates a note off instead of control change off. Here I just want to reprogram to switch from a Sostenuto to a Sustain (176, 64, 127) when pressed, and off the sustain when released (176, 64 ,0). The midi pedal behaves as follows when pressed. I noticed that random unwanted messages depends also on the force or velocity applied to the pedal when pressed. The pedal is intended to send a Sustain CC message ON when pressed (176, 64, 127), and the same OFF message when released (176, 64, 0), but randomly it also generates additional (unwanted) note on-off messages, maybe due to the range of its mechanical movement and how electronic sensor translate it to midi. I hope someone might help me with the syntax in order to properly configure a midi pedal and be able to send the right messages to any audio editor (Garageband / Logic / other).
MIDIPIPE SUBTLESOFT SOFTWARE
As many knows, Midipipe software allows to control and edit midi message through AppleScript syntax. I've tried to figure out the issue by myself through previous post reading, but I’m not strong enough with AppleScript to success. This forum seems to be the right place to start.
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I'm trying to learn AppleScript applied to Midipipe by Subtlesoft, but I’ve been able to find very few hints and basically no manual out there.
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I am running the latest versions of Logic and MainStage, on Yosemite, on a Mac Pro (mid 2012) and Mac Book Pro (2012), with a MOTU ultralite interface.Hello everybody, I'm a pianist with passion for music editing. I have seen MidiPipe mentioned a few times on various threads, but are people finding that this is reliable for live performance and touring around where I don't want to be messing with debugging a configuration in between gigs? It definitely has the feeling of hacking into things, when it is running the midi screen in Audio MIDI Setup doesn't reflect things correctly.
MIDIPIPE SUBTLESOFT FULL
In my case I have been using it to remap an old DX7 velocity curve to one that has the full 127 levels of velocity, and also to filter the output of a DJTechTools Midi Fighter Twister.įor working in Logic, I have the ability to create something in the environment that will do everything I need to do (and more).įor performing live with MainStage, it is not so easy (DX velocity remapping is easy), but the filtering on the Midi Fighter Twister is not so easy (at least not at a global level). I recently tried using MidiPipe ( ) a small utility that "highjacks" your MIDI port so you can grab the data and so some processing on it.